“Oh wie nah ist der Weg hinab” by Popol Vuh

In the last few years, David Eugene Edwards has taken Wovenhand — soundstreamsunday #85 — in an increasingly heavy direction, towards drone metal underpinning an utterly unique and dead serious frontier circuit preacher mysticism.  The drone as tribal, the ancient tool of ascension to the Common One, and so Wovenhand’s thunderous droning riffs on 2012’s Laughing Stalk … Continue reading “Oh wie nah ist der Weg hinab” by Popol Vuh

“Spoon” by Can

Across five albums and five years Can rendered the categories meaningless and set the bar for the kind of rock future that would make stars out of bands like Radiohead; there’s probably an argument that theirs is still the standard.  Like the better so-called “krautrock” bands of the era, Can’s music sounds like little else, … Continue reading “Spoon” by Can

“Sowiesoso” by Cluster

Keith Jarrett‘s success in his tours of Germany in the early 70s owed some debt to the burgeoning, radical art scenes taking over that country’s larger cities.  German audiences supported a fiercely independent free rock culture that drew heavily from American jazz — particularly the extended, disciplined jams of In a Silent Way-era Miles Davis — and that pushed Hendrix‘s electric sorcery … Continue reading “Sowiesoso” by Cluster