“Lean on Me” by Bill Withers

Where Randy Newman and John Prine brought hyper-literate character study to the singer-songwriter genre, often inhabiting in the first person the figures they constructed in song, Bill Withers went for the emotional jugular, unabashed, and if there was any character being studied it was him.  Withers’ warm, supple voice, steeped in rhythm and blues and country, was his … Continue reading “Lean on Me” by Bill Withers

“Cowboy” by Randy Newman

Randy Newman makes diamonds.  You can feel the pressure and time and heat that go into his songs, creating the effect of lush spaciousness in tunes typically clocking in under three minutes.  His eagerness towards satire is a product of his style, immersive first-person character sketches delivering broad social commentary and comedy in lines simply … Continue reading “Cowboy” by Randy Newman

“Vier Stücke für Xylophon” by Gunild Keetman

On Nebraska Bruce Springsteen rode the violent edge of Americanness that coursed through rock and roll, consciously plugging into Flannery O’Connor’s “A Good Man is Hard to Find” and the legacy of Charlie Starkweather’s and Caril Fugate’s 1958 killing spree across the midwest.  Springsteen was inspired towards Misfit-style murder ballad by Terrence Malick’s 1973 film Badlands, … Continue reading “Vier Stücke für Xylophon” by Gunild Keetman

“State Trooper” by Bruce Springsteen

In 2014, Bruce Springsteen covered Suicide‘s “Dream Baby Dream” on his album High Hopes, revealing common roots among artists you wouldn’t normally associate, and further illustrating Springsteen’s connections to the New York art punk scene of the mid and late 70s.  His association with Patti Smith, through her interpretation of “Because the Night,” cross-pollinated rock … Continue reading “State Trooper” by Bruce Springsteen